Victor Newman: The Eric Braeden Project – A Conversation with Eric Braeden

Instantly recognized as The Young and the Restless’ Victor Newman, one of pop culture’s most iconic soap opera characters, Eric Braeden has had a long and illustrious career for over fifty years. Originally from Germany,  Eric Braeden began his career using his real name, Hans Gudegast, and became a frequent guest star on a number of television programs throughout the 1960’s, primarily playing villains. This lead to his first regular role as Captain Hans Dietrich on TV’s The Rat Patrol  . It was for the 1970 film Colossus: The Forbin Project that he reluctantly changed his name to Eric Braeden. Along with being the most prolific actor to play TV villains during the 1970′s, Eric also appeared in film such as 100 Rifles and Escape From the Planet of the Apes before landing the role of Victor Newman in 1980. Originally intended to be a short acting job, thirty years later Eric Braden is still playing Victor Newman which has earned him a Daytime Emmy, a People’s Choice Award and has made him a soap opera legend. Politically passionate, in June 2010 Eric Braeden talked to PCA about the problems in the Middle East, the state of politics in America, social injustice, the World Cup, his latest film project The Man Who Came Back, his Germanic heritage, his long career in Hollywood and, of course, his ongoing role as soap opera’s Black Knight.  T0day at PCA we proudly present our interview with one of televisions most beloved character actors!

Los Angeles based comedian Heather McDonald’s first book, You’ll Never Blue Ball In This town Again, is truly a different kind of memoir.   McDonald tells us the story of her life, from her days at the Universtiy of Southern California to a career as a noteable comedian and comedy writer, via her stories about all the guys that she never had sex with.  That’s right.  Each chapter of her life story revolves around one, or two (and sometimes three) different failed relationships that never went ‘all the way.”   Although spending her youth as a party girl in one of the shallowest cities in the US, Heather McDonald held on to her virginity until the age of 27!  Was it because she had sexual issues?   Was she in a convent?  Oh no.  It’s not that complex.  According to Heather, she wanted “the one” to be the “right one,” but in the shallow and vain backdrop of Los Angeles, that often meant that the right one didn’t just have to be the man of her dreams, but also had to be handome, rich and successful.  But does such a man even exist?

Now don’t for a second think that Heather McDonald is some sort of plain jane prude that couldn’t get laid if she tried.  Strikingly beautiful with a rich sense of humor, Heather takes us from guy to guy, explaining why each one of them failed her criteria for having sex with her.  The book is full of dry humping and cock teasing as Heather flirts and makes out with so many guys that you often need to keep a score card in some chapters.  But how can you call a woman a whore if she isn’t actually sleeping with these guys?   Heather herself perfectly describes her situation when she titles one of her chapters “Can’t a girl dress like a hooker, dance like a stipper,  kiss like a porn star and still be  nineteen year old virgin?”  Well if you’re Heather Mcdonald I guess you can, but you’re going to send a lot of mixed messages.

Comedian Heather MacDonald writes about all the guys she didn't have sex with in her first book "You'll Never Blue Ball In This Town Again"

And mixed messages is exactly what You’ll Never Blue Ball In This Town Again often provides.  Heather treads a fine line between being vain and charming and it’s often unclear if her blatant shallowness is comedic satire, introspective self deprecation or reflective bragging.  But to be fair, I’ve met, and have even “fallen in love” with, my own share of California girls and I often found out that what seems to comes off as shallowness is actually just a product of the society they were brought up in.  It’s can easily be seen as a cultural trait instead of a personal flaw.  Also, just because Heather talks about being a virgin for nearly thirty years, You’ll Never Blue Ball In This Town Again is not about sexual virtue.  This is not a book that you give your fourteen year old daughter and say “See!  You can be cool and pretty too and maintain your virginity…just like Heather MacDonald!”   Instead, what You’ll Never Blue Ball in This Town Again becomes is a collection of funny relationship stories shared by a very funny woman.   Each one of us have humorous stories about dates that failed, losers we went out with, times we screwed up and people who didn’t live up to our expectations.  We all love to share these stories with others, and listen in fascination to similar tales that others have to share.  Well Heather McDonald has possibly a few more then most of us and has managed to collect them all together in one volume for our entertainment.  Whether it is dating a hand model, a psychopath, a former band nerd or an ”over the hill” millionaire, Heather has a different story for each guy that didn’t score with her.  Heather also shares unique experiences that only a fun girl in LA could have, such as appearing on a failed dating game, making a fetish film where she rollerblades in a swim suit and a frog mask, being picked up by Jason Bateman, romanced by Vince Vaughn and striking out with Jerry Sienfeld.  One thing is for certain, Heather McDonald’s stories are never uninteresting.

But in the end Heather MacDonald redeems herself from her cock teasing and shallowness when she not only finds true love, but realizes that true love is never perfect, and although things don’t always run smooth, that in the name of love you can look past the bumps and find happiness at the end of a potentially bad situation.  Heather MacDonald finds happiness, proving that Los Angeles is the city where dreams come true. 

But the most interesting thing about You’ll Never Blue Ball in This Town Again is the fact that Heather McDonald proves that everybody has a story to tell and a memoir to write.  In the world of celebrities, Heather McDonald is just a minor comedian who is currently gaining momentum as a writer and contributor to Chelsea Lately.  Why do we care who she didn’t sleep with?  We probably don’t, but that doesn’t stop us for caring about Heather and enjoying her stories.  You’ll Never Blue Ball in This Town Again is hardly a tell all, but it is a fun read that reveals a side of the Los Angeles dating scene that many North Americans will never see or understand.  Heather McDonald shares her story through a great deal of wit, although not a lot of wisdom.  But through all her cock teasing, vanity and shallowness she remains to be a likeable character who, in the end, finds her fairytale ending.  If you don’t know who Heather McDonald is now, You’ll Never Blue Ball In This Town Again will surely put her on your radar, and hopefully this is not the last we hear of this very funny woman.

Click here to order your own copy of You’ll Never Blue Ball in This Town Again.
 
POP CULTURE ADDICT NOTE:  I’d like to thank Anneliese Grosfeld of Simon and Schuster Canada for sending me You’ll Never Blue Ball in this Town Again and other interesting books that will be featured in the weeks to come as part of the “PCA Book Club”

This week we follow special PCA correspondent Janet Hetherington from the front lines of the San Diego Comic Con!

Elvira, Mistress of the Dark is a pop culture icon near and dear to my heart. I scripted Elvira’s comic book adventures published by Claypool Comics for six years, and many of the stories were pencilled by my studio partner Ronn Sutton.

So when Elvira (Cassandra Peterson) announced that she was holding a press conference at Comic-Con, I jumped at the chance to get the news on this horror hostess with the mostest.

Late night horror icon Elvira, Mistress of the Dark is returning to television!

First, the bad news: Elvira does not anticipate a new comic book series anytime soon.

Now, the good news: Elvira is returning to weekly television the weekend of September 25 with a revamped (no pun intended) Elvira’s Movie Macabre, to air in two-hour blocks on new digital channel on THIS! Television and in national syndication throughout the U.S.

Elvira appeared at Comic-Con in full slinky black garb and bouffant hairdo, and was obviously delighted to be bringing her special brand of film commentary to a new generation of fans. When asked how she felt about the Twilight movies, Elvira started to make an even-handed comment, and then sassily quipped, “I hate the Twilight movies!”

Cassandra Peterson still looks amazing as her Elvira persona who she has been playing since 1981. What's her secret? Did she sell her soul to the devil for eternal youth?

However, the movies Elvira will be skewering on her new TV show are of a more classic variety. “There are many of the classic black-and-white movies that I wanted to have on the original show,” Elvira said. Her favorites include The Killer Shrews, Manos, The Hands of Fate and Werewolf of Washington. “I like that one because of the obvious political aspects,” she said.

Hank Cohen, CEO/Partner of Trifecta Entertainment & Media, noted that some 500 films were considered before the final choices were made. “Elvira knows these movies backwards and forwards,” he observed.

Elvira said that the real challenge was finding the public-domain flicks in good or complete condition. The films featured on the show are remastered. “I’m going to be in HD of course,” she said. As for screening 3D movies, Elvira quipped, “I only have 2Ds right now.”

It was Elvira’s fast take with words and public recognition that sold multi-media company Trifecta on bringing Elvira back to TV.

Elvira and Trifecta Entertainment & Media CEO Hank Cohen discuss the new "Elvira's Movie Macabre" at the San Diego Comic Con

“Elvira will be every bit as relevant as the first day she burst onto the scene; a beautiful opinionated woman who always delivers just what her audience expects from her,” Cohen said.  “Elvira is a time-tested and wildly successful brand unto herself and her new show perfectly exemplifies our strategy.”

Elvira is also excited about the “spooky and cool” music for the new show, specially composed by White Stripes musician Jack While. “We’re going to make a day-glow vinyl of it,” Elvira said.

Elvira’s Movie Macabre is a 34D Production written and produced by Cassandra Peterson and Ted Biaselli.  The series’ Executive Producer is Anita First. The format of the show will be very similar to her previous one. “And I have the same old damn couch,” Elvira said.

Elvira’s reign as “Queen of Halloween” began in 1981 and has now spanned nearly three decades. It includes two feature films, an IMAX film, long-running syndicated television series and two motion control rides. She appeared in national advertising campaigns for Pepsi and Coors, recorded five music CDs, published four books and licensed over 400 products, including three pinball machines, BC Rich guitars, three comic book series, Elvira’s “Night Brew” beer, “Evil” perfume and the best-selling female Halloween costume of all time.

Elvira’s movie picks for her new Movie Macabre TV series are:

Night of the Living Dead, The Terror, The Brain That Wouldn’t Die, Giant Gila Monster, Scared to Death, Werewolf of Washington, Eegah!, Untamed Women, Santa Claus Conquers the Martians, Satanic Rights of Dracula, I Eat Your Skin, Don’t Look in the Basement, Teenagers From Outer Space, Jesse James Meets Frankenstein’s Daughter, Lady Frankenstein, Manster, Wild Women of Wongo,  A Bucket of Blood, Voyage to the Planet of Prehistoric, Tormented, The Wasp Woman,  Beast From the Haunted Cave, The Killer Shrews, Monsters From a Prehistoric Planet, Attack of the Giant Leeches and Manos, The Hands of Fate.

Comic-Con Photo of the Day

Mike Spina, Jesse Butter and Katy Budd as Henchmen 21 & 24 and Doctor Girlfriend

Henchmen 21 & 24 and Doctor Girlfriend walk the convention floor as colorful characters from The Venture Brothers. Mike Spina, Jesse Butter and Katy Budd are all from Vancouver, Canada. They took the train to Comic-Con. The costumes were specially designed to collapse and fit into a suitcase. Now that’s fan dedication!

POP CULTURE ADDICT NOTE:  Forget The Avengers Movie news.  The return of Elvira’s Movie Macabre is possibly the most exciting news from the San Diego Convention!  The original version of Elvira’s Movie Macabre, along with Buffalo New York based Off-Beat Cinema with host Maxwell Truth, helped shape my love for classic B films, grindhouse movies and the bizarre.  The reason I love movies the way I love movies is because of shows like Elvira’s Movie Macabre.  The return of Elvira to weekly television to shape and inspire another generation of viewers, that desperatly need her humor and influence, is news beyond belief and her list of films for the first season are pure camp classics that read like a Dummie’s Guide to B Movies.  PCA is dedicated to supporting and promoting Elvira’s Movie Macabre this fall! – Sam Tweedle

Janet L. Hetherington is a writer, screenwriter and graphic storyteller. She is a pop culture addict who shares a studio in Ottawa, Canada, with artist Ronn Sutton and a ginger cat, Heidi.  For more of Janet’s musings make visit @ Best Destiny

This week we follow special PCA correspondent Janet Hetherington from the front lines of the San Diego Comic Con!

For many Comic-Con fans, attending the big show means camping out all day in Hall H or Ballroom 20 at the San Diego Convention Center to see Hollywood stars. We sometimes forget that San Diego is a beautiful city and human beings need fresh air!

Wannabe Titans duke it out at Hilton Bayside Hotel's "Clash of the Titans" themed events, next door to the San Diego Convention Center

Over at the Hilton Bayside Hotel beside the Convention Center, the release of the Clash of the Titans DVD (the 2010 remake of the 1981 classic) on July 27 is being promoted by fun outdoors activities.

As pop culture addicts know, the Clash of the Titans is an adaption of the myth of Perseus and his quest to battle both Medusa and the Kraken monster.

Fans can get “stone” make-up on their face or hands in the Medusa tent, battle to be a champion in the challenge ring and tackle a castle-like rock-climbing wall.

Wannabe titans get freebies like a snaky Medusa paper crown and more.

Best of all, it’s free for attendees. Enjoy the sunshine. Get outside, people!

The Medusa Tent, where conventioners can be "turned to stone"

"Clash of the Titans" Rope Challenge

Where else but San Diego would you get a chance to storm a castle tower?

 Janet L. Hetherington is a writer, screenwriter and graphic storyteller. She is a pop culture addict who shares a studio in Ottawa, Canada, with artist Ronn Sutton and a ginger cat, Heidi.  For more of Janet’s musings make visit @ Best Destiny 

This week we follow special PCA correspondent Janet Hetherington from the front lines of the San Diego Comic Con!

2010 Eisner Winners and More

One of the joys of Comic-Con is trolling the exhibit floor and snapping up limited-edition comics and sketchbooks by favorite comic book artists.

"Shi" creator Billy Tucci comes face to face with his creation

This year’s con is no different. Billy Tucci, creator of the lovely but deadly heroine Shi, is offering a Comic-Con special sketchbook limited to 50 signed and numbered copies. Comic collectors love sketchbooks like this because they present sketches, pencil art and never-before-seen drawings of various characters.

This year’s sketchbook by Tucci, titled World War Tucci, offers both babes and military themes. The artist’s latest project is Sgt. Rock for DC Comics. As a special bonus, Tucci does an original sketch right on the cover.

John Gallagher brings back "go go checks" in Buzzboy!

At Comic-Con, Tucci was absolutely delighted when a fan dressed as Shi dropped by his booth. And as for the long-anticipated Shi movie, Tucci advised that news will be coming soon!

Another comic creator, John Gallagher, is offering a special Comic-Con exclusive collection of his Buzzboy stories. For those pop culture addicts who haven’t discovered Gallagher’s work, check it out (www.buzzboy.com). Buzzboy is a comical super-hero book with a retro feel. Gallagher digs those go-go checks!

And the winners are…

On Friday night, Bill Morrison (Bongo Comics), one of this year’s master of ceremonies for the 2010 Will Eisner Comic Industry Awards, encouraged a packed crowd at the Hilton Bayside Indigo Room to check out the Eisner-nominated comics at the show. For the full list of nominees, visit the Comic-Con website (http://www.comic-con.org/cci/cci_eisners_main.php).

Morrison was joined by voice-over actor Maurice LaMarche (Pinky and the Brain) and Morrison’s lovely wife Kayre to oversee the awards presentations.

Eisner Awards hosts Kayre Morrison, Maurice LaMarche and Bill Morrison

Before the awards got underway, it was announced that Eisner’s graphic novel A Contract with God will be coming to the big screen.  “The challenge is to bring a faithful adaptation to the screen,” said writer-producer Darren Dean. “We look forward to coming back next year with something to show you.”

The cast from Scott Pilgrim vs. the World (based on the mega-popular Oni comic) was on hand to give out the first Eisners of the night. It was fitting that Scott Pilgrim creator Bryan Lee O’Malley won for Best Humor Publication.

“I guess I won an Eisner,” O’Malley said. “I’m flabbergasted. Everyone here is way funnier than I am.”

2010 Eisner Award Winners

 
 

Best Short Story

"Captain America #601" wins the Eisner for "Best Single Issue" and writer Ed Brubaker wins "Best Writer"

“Urgent Request,” by Gene Luen Yang and Derek Kirk Kim, in The Eternal Smile (First Second)

Best Single Issue (or One-Shot)
Captain America #601: “Red, White, and Blue-Blood,” by Ed Brubaker and Gene Colan (Marvel)

Best Continuing Series
The Walking Dead, by Robert Kirkman and Charles Adlard (Image)

Best Limited Series or Story Arc
The Wonderful Wizard of Oz, by Eric Shanower and Skottie Young (Marvel)

Best New Series
Chew, by John Layman and Rob Guillory (Image)

 
 
 
Best Publication for Kids
The Wonderful Wizard of Oz hc, by L. Frank Baum, Eric Shanower, and Skottie Young (Marvel)
 
 

 

Best Publication for Teens
Beasts of Burden, by Evan Dorkin and Jill Thompson (Dark Horse)

Best Humor Publication
Scott Pilgrim vol. 5: Scott Pilgrim vs. the Universe, by Bryan Lee O’Malley (Oni)

Best Anthology
 vol. 3, edited by Mark Andrew Smith, D. J. Kirkbride, and Joe Keatinge (Image)

Robert Kirkman's "The Walking Dead" wins "Best Ongoing Series"

Popgun

Best Digital Comic
Sin Titulo, by Cameron Stewart, www.sintitulocomic.com

Best Reality-Based Work
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)

 
 
 
Best Adaptation from Another Work
Richard Stark’s Parker: The Hunter, adapted by Darwyn Cooke (IDW)
 
 

 

Best Graphic Album—New
Asterios Polyp, by David Mazzuccheilli (Pantheon)

Best Graphic Album—Reprint
Absolute Justice, by Alex Ross, Jim Krueger, and Doug Braithewaite (DC)

Best Archival Collection/Project—Strips
Bloom County: The Complete Library, vol. 1, by Berkeley Breathed, edited by Scott Dunbier (IDW)

Best Archival Collection/Project—Comic Books
 deluxe edition, by Dave Stevens, edited by Scott Dunbier (IDW)

Bryan Lee O'Malley's "Scott Pilgrim" takes "Best Humor Publication"

The Rocketeer: The Complete Adventures

 
 
 
Best U.S. Edition of International Material
The Photographer, by Emmanuel Guibert, Didier Lefèvre, and Frédéric Lemerier (First Second)
 
 

 

Best U.S. Edition of International Material—Asia
A Drifting Life, by Yoshihiro Tatsumi (Drawn & Quarterly)

Best Writer
Ed Brubaker, Captain America, Daredevil, Marvels Project (Marvel) Criminal, Incognito (Marvel Icon)

Best Writer/Artist  – David Mazzuccheilli, Asterios Polyp (Pantheon)

Best Writer/Artist–Nonfiction
Joe Sacco, Footnotes in Gaza (Metropolitan/Holt)

Best Penciller/Inker or Penciller/Inker Team
J. H. Williams III, Detective Comics (DC)

Best Painter/Multimedia Artist (interior art)
Jill Thompson, Beasts of Burden (Dark Horse); Magic Trixie and the Dragon (HarperCollins Children’s Books)

Best Cover Artist
J. H. Williams III, Detective Comics (DC)

Best Coloring

IDW's representation of "Bloom County" takes the Eisner for "Best Archival Collection/Project—Strips"

Dave Stewart, Abe Sapien, BPRD, The Goon, Hellboy, Solomon Kane, Umbrella Academy, Zero Killer (Dark Horse); Detective Comics (DC); Luna Park (Vertigo)

Best Lettering
David Mazzuccheilli, Asterios Polyp (Pantheon)

Best Comics-Related Periodical/Journalism
The Comics Reporter, produced by Tom Spurgeon (www.comicsreporter.com)
Best Comics-Related Book
The Art of Harvey Kurtzman: The Mad Genius of Comics, by Denis Kitchen and Paul Buhle (Abrams ComicArts)

Best Publication Design
 , designed by Curtis King and Josh Beatman (DC)

J. H. Williams III wins two Eisners for "Best Cover Artist" and "Best Penciller" for his work on "Detective Comics"

Absolute Justice

Will Eisner Spirit of Comics Retailer Award
Vault of Midnight, Ann Arbor, Michigan

HALL OF FAME

- Burne Hogarth
- Bob Montana
- Steve Gerber
- Dick Giordano
- Michael Kaluta
- Mort Weisinger

Bob Clampett Humanitarian Award
Jeannie Schulz

 
 
 
 
 
Bill Finger Award for Achievement in Comic Book Writing
Otto Binder, Gary Friedrich
 

 

Russ Manning Most Promising Newcomer Award
Marian Churchland (Beast)

Comic-Con Photo of the Day

Cosplayer Tran Huyah creates magic all of her own as Zatanna the Magician!

Lacigam! A tip of the top hat to Tran Huyah of Los Angeles for this marvelous Zatanna costume.

Janet L. Hetherington is a writer, screenwriter and graphic storyteller. She is a pop culture addict who shares a studio in Ottawa, Canada, with artist Ronn Sutton and a ginger cat, Heidi.  For more of Janet’s musings make visit @ Best Destiny 

This week we follow special PCA correspondent Janet Hetherington from the front lines of the San Diego Comic Con!

In 1982, Walt Disney Pictures brought out the science fiction movie Tron, about a hacker (Jeff Bridges) who is abducted into a computer world and forced to participate in gladiatorial games.

Tron (1982)

Fans of the time were captivated by the then cutting-edge computer-generated effects that provided an early glimpse of the possibilities of CGI in film.

Flash ahead to July 2010, when actor Jeff Bridges has won an Academy Award for Crazy Heart, fans social network on their phones and computers and James Cameron’s Avatar has pushed digital creation in film to new heights. Is it any wonder that Tron is back and seeking to entice a new generation with its new film, Tron: Legacy?

Michael Torrez from Fontana, California, was decked out in full Tron garb for Thursday’s Tron: Legacy panel at Comic-Con. “I’m a die-hard Tron fan,” Michael told CPA.

"Die hard Tron fan" Michael Torrez

The producers of the new film are actively tapping into that fan base. “We came to Comic-Con last year and showed the trailer, and before that vfx,” commented producer Jeff Silver at Thursday’s Comic-Con press conference. “Fans played an integral role in in getting the new Tron movie made.”

Fan reaction at the panel’s clip screening was enthusiastic, and panel attendees even participated in a recording session that technicians from Skywalker Sound plan to use for the film’s final cut. The crowd cried out “Disc Wars,” “Rinzler” and “Derez” and stomped their feet.

Inside Tron: Legacy

Tron: Legacy (2010)

Tron: Legacy, which will hit theaters in December, picks up from the original Tron by having 27-year-old Sam Flynn (Garrett Hyland) haunted by the mysterious disappearance of his father Kevin Flynn (Bridges). When Sam investigates a strange signal sent from the elder Flynn’s arcade, he finds himself pulled into a digital world where Kevin has been trapped for 20 years.

“We wanted the feeling that the film was shot from the inside of the computer,” commented director Joe Kosinski.

Tron: Legacy tackles that challenge by using the next-generation of 3D technology pioneered by James Cameron. “It cost more, but it’s beautiful,” Kosinski said. “All vfx are finished for both eyes.”

The cast of "Tron: Legacy" at the San Diego Comic Con (photo by Justin Poirier)

The film also explores how technology affects the way we are. “For the first film, all we had to do was dream what technology would do,” said producer and Tron creator Steven Lisberger. “Technology is all about bringing people together… supposedly. But there is a dark side, keeping people from connecting with each other.”

For the new film, even the skin-tight iconic Tron suits get a technological upgrade. The movie was shot in dim light, and the suits literally lit up and made a noise as they activated.

“On set, you’d hear ‘Light them up,’ then ‘action,’ then ‘bing!” noted actor Michael Sheen, who plays Castor in the new film.

“In the original, all we had were spandex tights and magic marker,” recalled Bruce Boxleitner, who reprises his role of Alan Bradley and Tron.

Jeff Bridges held up a Sea Hunt comic book with a Lloyd Bridges photo-cover and said, “My father had a prototype of the suit in Sea Hunt.”

Tron designs on display

The art of Tron

Comic-Con fans can view original art from the original Tron, Tron: Legacy and other movie and TV shows (Star Trek, True Blood and more) in the special exhibit, “Art Behind the Images,” presented by the Costume Designers Guild. The exhibit, open to the public and con attendees, is  located in Hilton Bayside Hotel (beside the Convention Center) on the Sapphire floor.

We have 400 pieces of art,” said Casey Bernay, an assistant director and costume designer. “There’s matte art, storyboard art, personal illustrations and costume designs.”

Those costume designs include suit designs for Tron: Legacy by Neville Page and original Tron concept art by Harrison Ellenshaw, who is speaking at Comic-Con on Saturday.

This exhibit is off the beaten path but well worth checking out.

Comic-Con Photo of the Day

Amber Frazier and Brian Darby as Black Canary and Green Arrow

Amber Frazier makes a fetching Black Canary and fiancé Brian Darby makes a dashing Green Arrow as they trek the halls of Comic-Con. The Connecticut couple plan to do a BC/GA themed wedding in October 2011. Congratulations!

Janet L. Hetherington is a writer, screenwriter and graphic storyteller. She is a pop culture addict who shares a studio in Ottawa, Canada, with artist Ronn Sutton and a ginger cat, Heidi.  For more of Janet’s musings make visit @ Best Destiny

This week we follow special PCA correspondent Janet Hetherington from the front lines of the San Diego Comic Con!

Hello, my name is Janet Hetherington, and I’m a Pop Culture Addict.

Me and a whole lot of other PCAs were out in full force (and yes, that is Luke Skywalker style) at the Comic-Con International preview night on Wednesday evening. While the show officially starts on Thursday, the exhibit hall was nevertheless packed with freebie and collectable hunters.

(Left) one of the exclusive Galactus "hats" being given at the San Diego Comic Con Preview Night

This year’s must-have freebies include overlarge swag bags and funky purple Galactus paper crowns.  There were plenty in sight as I made my way through the crowds to the Entertainment Earth booth, where Sam Tweedle’s sought-after Barnabus Collins and Angelique collectible figures were to be found.  I waited an hour in the long and winding line for these special toys, but I did score the Dark Shadows dolls. After Sam wrote about them and his Comic-Con shopping list, how could I not?

"Hair High" animator Bill Plympton

The trek through the exhibit hall did yield other treats. Animator Bill Plympton was promoting his animated gothic comedy, Hair High (www.hairhigh.com), now out on DVD. He took the time to do a little sketch of a Plympton-style agitated dog.  Bill is also bringing out a new animated feature film, Idiots and Angels, about “an asshole guy who wakes up one morning to find wings sprouting out of his back that make him do good deeds, and he doesn’t like it.” This film features music from Tom Waits and Pink Martini. In addition, the artist is showing his original work at San Diego’s Chuck Jones Gallery.

While the most popular booths (and the ones with the longest lines) seemed to be TV and movie-related, the spirit of Comic-Con’s graphic storytelling roots could still be found.

Eisner Award Nominee Troy Little (Angora Napkin)

For example, comic book artist and animator Troy Little (Angora Napkin) was over the moon for being in San Diego. Troy has been nominated for a 2010 Will Eisner Comic Industry Award, and the Eisners are the “Oscars” of the comic book industry. The award winners will be announced July 23.

Comic-Con kicks off in earnest on July 22. The crowd will be bigger and the lines will be longer.

I can’t wait.

POP CULTURE ADDICT NOTE:  Thanks for picking up my Dark Shadow figures for me Janet!  Whoo hoo!  Saves buying them from e-bay!  Barnabas Collins can kick Edward Cullen’s butt!  You’re the greatest! - Sam Tweedle

Janet L. Hetherington is a writer, screenwriter and graphic storyteller. She is a pop culture addict who shares a studio in Ottawa, Canada, with artist Ronn Sutton and a ginger cat, Heidi.  For more of Janet’s musings make visit @ Best Destiny.

As pretty much every pop culture addict in the world knows, this weekend thousands of fans and media professionals will be descending on San Diego, California for the 40th annual San Diego Comic Con International. Held at the San Diego Convention Centre from Thursday July 22nd until Sunday July 25th, the San Diego convention is the largest media convention of its sort in the world. San Diego is where the biggest names in pop culture media premier their projects and acts as a world showcase for movies, television and, even sometimes, comic books. Celebrities and media professionals mingle with fans and cospalyers of every shape, size and nationality in this massive four day extravaganza.

With all eyes focused on San Diego, if you aren’t there you’re no where man. Thankfully PCA has our own correspondent that will be braving the crowd and the chaos of San Diego as part of the press and will be sitting in on a number of press conferences and round table panels and reporting back to us at the PCA offices throughout the week. Our long time friend Janet Hetherington is no stranger to the San Diego convention. She has tackled the crowd before as a writer for Animation World. A free lance writer, artist and the creator of Eternal Romance, Janet Hetherington is a woman of many talents and we are very lucky to have her in our court and braving the mania that is the San Diego Comic Con. For more on Janet make sure to visit her blog @ Best Destiny where she will also be posting her adventures at Comic Con all weekend.

"Eternal Romance" creator and PCA correspondent Janet Hetherington

For the next two weeks PCA will be putting aside many of its regular features for Janet’s reports and findings in San Diego. Last night Janet and I spoke briefly and she told me of some of the panels she hopes to attend and I gave her my shopping list (the Dark Shadows action figures from Spectre Toys to be exact). Janet has some big plans and great ideas but, in the end, it will be a surprise to all of us what Janet comes up with.  You never know what or who you’re going to meet when your in San Diego.

So if you can’t be in San Diego this weekend, we know that you’ll be scouring the internet for Comic Con information and news. Make sure to include PCA on your stop as we follow Janet’s adventures at the San Diego Comic Con!  And if you are near San Diego then I’m sure you already have your passes ready.  Good luck and have fun.

Travel safe Janet, and good luck at the con. Oh, and if you run into any single girls dressed up as The Black Canary make sure to drop them my number.

Memoirs of a Hermit: Setting the Record Straight with Herman’s Hermits’ Barry Whitwam

Dandy:  Peter Noone Strikes Back!

Easily one of the strangest moments of my career was when I got between Herman and one of the Hermits.

In the summer of 2007 I attended a Herman’s Hermits concert featuring British Invasion teen idol Peter Noone.  Before Noone came on stage the announcer introduced “The Hermits” and four men, far too young to have been around during the 1960’s when Herman’s Hermits recorded such hits as I’m Into Something Good, Mrs. Brown You’ve Got a Lovely Daughter, A Kind of Hush and Listen People, walked on stage.  These men were certainly good musicians, but as Peter Noone took the stage I couldn’t help but think that they were not the “real” Hermits – Keith Hopewood, Brian Green, Barry Whitwam and Derek “Lek” Leckenby.  Being the sort of pop culture addict I am, upon returning home that evening I began to search for what happen to the former members of Herman’s Hermits, only to find a far bigger story then I originally imagined. 

My search lead me to Barry Whitwam, original drummer for Herman’s Hermits, who currently fronts a second Hermanless group that also calls themselves Herman’s Hermits based out of the UK.  Astonished by the idea of a Herman’s Hermits without Peter Noone, I sent an e-mail to Barry, as well to Peter Noone, asking the questions “How can Herman’s Hermits exist without a Herman, and how can Herman’s Hermits exist without the Hermits?”  Barry Whitwam was the first to respond and agreed to explain all in an interview.  My interview with Barry Whitwam would prove to be the first North American based interview Barry had done since the 1960’s.  In the days to come Barry went me a number of scans and attachments, including interviews and original court documents proving that he, as well as the now deceased Hermits guitarist Derek “Lek” Leckenby, legally held the rights to the name Herman’s Hermits.  In a phone interview Barry proved to be an eloquent and well spoken gentleman who explained an untold history of Herman’s Hermits, from the birth of the group, to the infighting and, finally, the legal battles between Peter Noone and the rest of the group.  Barry spoke quite harshly of Peter, putting forth a different face of the charming fan favorite, exposing him as an arrogant and often mean spirited megalomaniac. 

Barry Whitwam’s interview proved to be controversial.  Peter Noone has a devoted group of fans calling themselves “Noonatics” and they quickly ate up the interview and flooded the PCA inbox with angry e-mails.  Some of the e-mails were just venomous hate mail with little critical thinking, but others were quite eye opening and touching.  I came to respect Peter Noone’s fans, and admired the way the fan community rallied around the singer.  Finally the fateful day came when I got an e-mail from Herman himself.  To say the least Peter Noone was pretty upset about the interview.  After a handful of random angry e-mails from Peter, I myself began to see the true face of Peter Noone.  In one truly bizarre moment, Peter Noone challenged me to a charity boxing match so he could legally kick my ass.  The majority of the e-mails were too strange or insulting to print, and sit in a file where they will sit…as long as Peter Noone is alive anyways.   However, still having respect for Peter’s body of work, his legacy on the pop culture journey as well as his passionate fan base, I gave Peter the chance to tell his own version of the story.  After turning me down a number of times, Peter eventually agreed that he’d do an e-mail interview.  I sent him a series of hard hitting questions based upon the strongest accusations made by Barry and he responded to all of them.  Peter Noone’s version of the stories doesn’t always match Barry’s, but he put his own spin on things.  What my interview with Peter Noone revealed was a different side to him rarely seen to the public.  Blunt, unapologetic and confrontational, Peter Noone said it like he saw it.

I learnt a number of lessons from my Herman’s Hermits drama.  First, never get between two warring fractions of a band.  In the years since I had the opportunity to write a similar expose on another 60’s group with bitter blood between former members but chose to walk away from the opportunity.  Also, I learnt that everybody has a story to tell and each side has a different point of view.  The only way to come to the truth is to look at all the evidence and come to your own conclusions.  In the end I feel that Barry Whitwam’s story has the most merit, and I myself experienced the wrath of Peter Noone.  However, there is no denying the talent and charisma of Peter and the musical franchise that he has created.  He is, and will forever be, the face and voice of Herman’s Hermits.  But in the end what is the most important isn’t who deserves to call themselves Herman’s Hermits as much as the music that they made during the 1960’s and the way it makes you feel and plays in your memories. 

Today from the PCA archives we represent our interviews with Barry Whitwam and Peter Noone.  You be your own judge on whose story you think holds the most credibility.

PCA reminds you that the world’s best movies are NOT in the new release section at Blockbuster!

They Drive by Night (1940)  – One of Hollywood’s stranger melodramas, They Drive By Night features the dangerous lives and loves of the men on the trucking lines, hauling freight and cargo through the darkest nights on what could often be a cruel and lonely roads.  Featuring an impressive all star cast including George Raft, Humphrey Bogart, Ann Sheridan and Ida Lapino, They Drive By Night is an early tribute to the world of the trucker.

George Raft and Humphrey Bogart play Joe and Paul Fabrini, two brothers who drive an independently owned cargo truck.  As they go from town to town and diner to diner, avoiding money collectors and repo men, the Fabrini brothers find friendship amongst the other members of the trucking community and Joe finds love in feisty waitress Cassie Hartley (Ann Sheridan).  While Joe dreams of starting their own trucking company, Paul wishes that he could spend more time at home with his young wife (Gale Page).  However, when the brothers finally manage to get a big break putting them ahead of the trucking game, their opportunity is crushed in a single moment when they smash their rig and Paul loses an arm.  As Paul must learn to live with only one appendage, Joe goes to work for trucking mogul Ed Carlson (Alan Hale Sr.) who’s cruel gold digging wife Lana, (Ida Lapino) sets her sights on him.  However, when she finds out that he has no interest in fooling around with the boss’ wife, Lana will do anything to get Joe Fabrini all to himself….including murder!

George Raft and Humphery Bogart are joined by Ann Sheridan in "They Drive By Night" (1940)

They Drive By Night is a unique time capsule of the early romantic image of the truck driver.  Today the pop culture image of the trucker is imbedded in the country songs of CW McCall and Red Sovine, and films like Convoy and Smokey and the Bandit.  However, They Drive By Night was the first film to depict the lives of truckers when the trucking industry was still in its infancy.  Less “hayseed” or glamorous, the film depicts the dangers and destitute on the open road, and glorifies the comradery of truckers long before there was such things as CB radios or flatbed tractor trailers.  They Drive By Night has a little bit of everything – thrills, romance, suspense, murder, mayhem, court room dramatics and comedy which keeps the pace at every turn in the road.  Already a major star at the time, George Raft takes head billing, while Bogart, Sheridan and Lapino get another notch in careers that were still up and coming.  The all star cast is rounded out by a number of Hollywood’s greatest character actors including boisterous Alan Hale Sr as the jovial but doomed trucking mogul, Roscoe Karns as goofy trucker Irish McGurn and Joyce Compton as his dizzy girlfriend Sue Carter. 

George Raft (with Ann Sheridan) takes star billing in "They Drive By Night," but due to a number of mistakes in his career, co-star Humphery Bogart would prove to be the bigger star

However, what truly makes They Drive By Night interesting is the pairing of George Raft and Humphrey Bogart as brothers Joe and Paul Fabrini.  George Raft was already an established Hollywood star when they made They Drive By Night and was one of Hollywood’s biggest tough guys.  Known to cavort with gangsters in real life, Raft talked the talk and walked the walk and, as rumor had it, even stopped a hit on Gary Cooper at one time.  It was in 1939 when Raft met younger actor Humphrey Bogart in a forgettable gangster film called Invisible Stripes.  Impressed by Bogart’s acting ability and own tough guy persona, Raft befriended the up and comer and requested that Bogart play his younger brother in They Drive By Night.  The pair play beautifully off of each other and show a good deal of support and respect as two brothers on the open road, while Bogart shows his true ability as a dramatic actor as a man that loses an arm.  However, in an almost All About Eve type scenario, shortly after They Drive By Night Raft would make a series of fatal mistakes that would greatly benefit Bogart’s career, eventually allowing Bogart to eclipse his mentor.  When Raft was offered the leading role in High Sierra after the filming of They Drive By Night, he turned it down.  Humphrey Bogart took the film instead, which became his breakout film and transformed his career from character actor to bankable star.  Later that year Raft was the first choice to play  Sam Spade in The Maltese Falcon but, once again, turned it down and, once again, Humphrey Bogart took the role strengthening his presence in Hollywood.  Then, in 1942, not learning his lesson, George Raft turned down a third film leaving Humphrey Bogart to pick up Raft’s “sloppy seconds.”  The film was Casablanca.  The role was Rick Blaine,  The part would make Humphrey Bogart a legend while today George Raft is only remembered by film buffs.  The pair would remain friendly for the rest of their lives, but George Raft’s mistakes put him in Humphrey Bogart’s shadow for eternity.  However, They Drive By Night is the opportunity to see these two legendary Hollywood tough guys together in all their glory – George Raft at the top of his career and Humphrey Bogart in one of his best early performances. 

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