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January 31, 2007
"Yoko
is the world's most famous unknown artist: everybody knows her name, but nobody
knows what she does." - John Lennon
Far too often in our pop culture
journey there are individuals along the way which seem, for some reason, to
become victims of ridicule and vilification. Often these individuals deserve
every bit of it; while others are damned to pop culture hell, although the
public that sends them to this fate usually doesn't have the slightest idea who
they are or the bigger picture behind their lives or careers. The public only
believes the myths or uneducated public opinion on these figures. This hasn't
hit anybody harder in the pop culture community than avante garde artist, and
John Lennon's widow, Yoko Ono.
Yoko is usually just passed off
as the crazy Asian chick that John Lennon married and then broke up the
Beatles. What is not recognized is the intense life that Yoko lived, the
brilliance of her art, and the message of love and peac e
that she has spent her whole life trying to spread throughout the world. There
was a reason that a brilliant and talented man like John Lennon fell madly in
love with Yoko Ono, and I'll even argue that it was Yoko's influence over John
that lead him down the path to the messages of peace that he is admired for, and
to write songs like Imagine, Merry X-man (War is Over) and Give
Peace a Chance. When it comes to John and Yoko the old phrase stands true:
Behind ever great man is an even greater woman. Yup. I said it! An even
GREATER woman. And, for the record, Yoko had nothing to do with breaking up the
Beatles. Yet, while Yoko preaches love and peace, she is crucified by the
public. While she has fought a brave fight through a world of war and hate she
is called a witch and burnt at the stake. That is why, in my opinion, Yoko is
an unsung hero on our pop culture journey. So why don't you join me while we
take a realistic look at the life and philosophy of the most misunderstood woman
in pop culture history as...
CONFESSIONS
OF A POP CULTURE ADDICT PRESENTS:
FOR
THE LOVE OF YOKO:
A REEXAMINATION AND APPRECIATION FOR YOKO ONO
Now,
as you have probably already figured out, I am a fan of Yoko Ono's. However,
before we go any further let me assure you that, just like the public at large,
I am not an admirer of her music. Oh dear god no. Anybody who has heard the
ear bleeding sound of Yoko's screeching on John Lennon's final album Double
Fantasy knows that Yoko Ono's music is either an acquired taste, or the
worst music ever performed. However,
what many people do is just write off Yoko's career and philosophy the moment
they hear the music. I must admit, even I was guilty of that. But things
changed in 2002 when I really began to understand Yoko Ono, and then she totally
blew my mind.
That was the year that a number
of friends and I went to her "Yes:" exhibit in Toronto, featuring nearly all of
Yoko's major art pieces from her forty year career. Walking in, I was ready to
be amused, but I was unprepared to be completely blown away by the pure
brilliance and "out of the box" thinking that Yoko presented in her work. Often
using simple found objects, Yoko's work often parodied consumerism with peace,
love and positivity as the
product.
I really began to understand this when, walking through the gallery, I came upon
a little old-fashioned vending machine. I put in a nickel, pushed down the
latch, and out came a little card. When I flipped the card over a single word
was on it. Peace. The explanation next to the vending machine explained that
if these boxes were put on every major street corner all over the world, perhaps
that the public may begin to live a peaceful existence if they are buying the
product. Yoko attempted to do this on a larger scale in 1969 when she created
the "War is Over (If You Want It)" billboards, which coincided with John's song
of the same title. My mind was also blown with Yoko Ono's hand carved "board
games" titled "Play it in Trust." Shaped like a simple chess game, the pieces
vary in size but ha ve
no definitive characters and are all colored white. An accompanying video
showed images of John and Yoko playing the game, by simply moving random pieces
to random spaces without taking any prisoners or defeating the other player.
Yoko's often clever and thought provoking messages of peace made me fall in love
with her, just as her art had captured John Lennon's heart in 1966. As the
story goes, John attended a sneak peek of a New York exhibit of Yoko's, which
featured a ladder that visitors could climb and then look into a magnifying
glass and be able to read a little card that simply said "YES:" on the ceiling.
John Lennon was impressed by the pure postivity of the message in a world that
seemed to be falling apart around him. He obviously recognized the brilliant,
clever and whimsical woman that Yoko was. Brilliant, clever and whimsical.
Exactly the type of woman that would capture the heart of a man like John
Lennon. Thus started the legendary love affair of John and Yoko.
Now it's obvious that in the
1960s, when Yoko Ono's art first began to find popularity, the message of peace
was very en vogue - especially in the United States. With the Viet Nam war
waging on, and the peace movement growing in America, Yoko Ono's art touched a
real chord with American intellects and bohemian types. But unlike the
majority of the Americans that cried for peace, the philosophy behind peace and harmony
was very real to Yoko Ono. Yoko Ono wasn't just one of the phonies that was
cashing in on a popular concept. She had a unique perspective on the madness of
war that most people never experience.
Born
in Japan to a wealthy banking family in 1933, Yoko Ono spent years of her life
living between the United States and Japan until the age of eight while her
father was transferred between the two countries. As a result of living in both
countries, Yoko developed close ties and love for both Japan and the United
States during her childhood. When war broke out between the two countries Yoko
was attending a private school in Tokyo. For a girl like Yoko, who had ties
with both America and Japan, the war between the two countries probably seemed
very abstract. The idea of villains would have been very complex; however, as
Yoko watched Tokyo crumble, she could see the stupidity and pain that war
created. As Yoko's family was forced to flee from Tokyo, the once wealthy
family was reduced to carrying their belongings in a wheelbarrow, and begging
and bartering for food. Yoko's father, who opted to stay in Tokyo, was
eventually incarcerated in a Chinese prisoner-of-war camp, where he eventually
died. Yoko has said that this time of her life not only gave her the philosophy
for the need for peace in our world, but is also where she developed her
aggressive personality and her acceptance of what it was like to be an
outsider. By 1946 Yoko was able to enroll in school again, and in 1951 was the
first woman ever to be accepted into the philosophy department at Peer's
University. However, after two semesters, Yoko left the school in order to join
her family who had once again moved to New York City. This was where Yoko, now
attending Sarah Lawrence College, discovered the New York art scene. Yoko was
quickly swallowed up by the bohemians and bea tniks
of New York City and began her brilliant art career.
Now, to be honest, Yoko had as
many hits as misses. Her performance art, such as "Cut Piece", where the
audience would cut off pieces of Yoko's clothing until she was naked, was a bit
off the wall and exploitative. Her experimental films, such as "Bottoms," were
even worse. And we've already discussed her music. Don't even get me started
on the music Yet, while the New York art scene was full of phonies, in many
ways Yoko Ono was the real deal. Her intense experience of living in a war-torn
country in her youth became a direct result of the message of positivity that
she incorporated into her art. It was also this philosophy which would inspire
John Lennon into becoming the man that he would be.
Now
what I am about to say may not sit well with a lot of John Lennon fans. I
truly believe that the "give peace a chance" philosophy of John Lennon was the
direct influence of Yoko Ono. Before all of you Beatles fans drive by my
house and throw a brick through my front window, I'm not saying that John was a
puppet and Yoko pulled the strings. No. John was a brilliant and
outspoken man with his own mind. However, sometime it takes the ideas of
the woman you love to bring new
ideas to light and develop a new understanding. Before John met Yoko he didn't
speak much about peace or give any anti-war messages in his music. John Lennon
was too busy being a Beatle. Yet once John met Yoko he suddenly became very p olitical
and an advocate for peace... just as Yoko had been for years. Thus, it is in my
opinion that Yoko Ono had a very positive and profound affect on Lennon.
Through him she was able to find a more charismatic and popular voice for her
message, which was quickly becoming their message. John and Yoko made a dynamic
team and through their combined efforts created a message of peace that inspired
thousands. But John Lennon is the one who nearly always gets the credit for
doing it. The reason is that John is far more likeable, charismatic and popular
then Yoko could ever be. He was the whimsical and clever Beatle, while Yoko was
seen by the public as the weirdo that broke up his marriage to Cynthia. Yoko
Ono is, in many ways, a very uncomfortable person You know those people who are
so brilliant that normal people can't even begin to relate to them? That is
what Yoko Ono's overall problem is. That is also where the origin of Yoko's
vilification begins.
Y oko
Ono will forever be known as the woman that broke up the Beatles. For the most
part that is purely a myth, with the unpopular Yoko Ono as the scapegoat. The
tension that broke the Beatles up began as early as 1967 with the death of their
manager Brian Epstein. A number of bad business decisions, as well as conflicts
over management, created stress between John and Paul. However, it was very
evident that all four of the Beatles, who had for the most part been playing
together since they were teenagers, were beginning to drift into different
creative directions. This is most noticeable between John and Paul, whose music
was beginning to sound so different that listeners could distinctly decipher who
was writing what. Ringo was the first Beatle to storm out of a recording
session during the White Album sessions. George later stormed out of a
Let It Be session, which prompted John to comment that they were going to
replace George with Eric Clapton if he didn't stop being difficult. Creative
tension also began to tear the band apart. Paul was pissed off that John and
George gave Phil Spector "Let it Be." John was pissed off that Paul was being a
tyrant in the studio. George was pissed off that he wasn't being respected as a
s ongwriter. Ringo was pissed off that they weren't recording his songs at all. As a result,
all four began solo projects in which they all found far more satisfaction. For
John, that satisfaction meant recording and creating music with Yoko, who it has
been said that Paul felt both threatened by and was jealous of. This is the
beginning of Yoko as the scapegoat of the Beatles breakup. However, the truth
was that Paul, George and Ringo did find Yoko's constant presence to be both
uncomfortable and distracting. Yet this could have been solved by the four lads
getting together over a drink and Paul, George and Ringo just saying to John, "Look mate,
your girlfriend is really getting in the way." Thousands of bands have had to
do that and John was intelligent enough to get the message. Thus it should be
clear to see that by the time Yoko was even on the scene the Beatles were
already having problems. With or without her the Beatles were bound to have
broken up. Yet, when it finally came to be in 1970, the public had to find
someone to blame. Nobody wanted to point the finger at the fab four. They
weren't prepared to blame Paul who had announced his departure from the band.
So that's when the public decided to blame the crazy out-to-lunch Asia n
chick. Poor Yoko got the short end of the stick.
But God bless her, she tries and
she tries. Despite a public that laughs and curses her, Yoko, now at age 74,
continues to put on a smile, keep a positive outlook and continues to create
brilliant art that both shocks and baffles the public. Despite jeers from
Beatle fans around the world, even after she had the horror of watching the man
that she loved gunned down outside of their home and die in her arms, she still
tries to keep their combined vision and philosophy of love and peace alive. But
then when it comes to music fans, it always comes back to Yoko's recordings. As
I said before, as much as I admire Yoko, even I hate her music. Well there has
to be an explanation for that. I like to think it might have gone a bit like
this:
Scene: John Lennon is
sitting at a white grand piano plunking away on his next hit song for
his upcoming album "Double Fantasy."
John: Our life...together...is
so groovy..together...no. That's not it....
Yoko
walks in the room.
Yoko: John. John. Listen to
the new song I just wrote.
John: Uh.... sure Yoko. Go for
it. (Moves over on the piano
bench to give Yoko room to play)
Yoko (banging away on the
keys and shrieking like a banshee): Kiss, kiss, kiss, kiss me, love,
Just one kiss, kiss will do.
Kiss, kiss, kiss, kiss me, love,
Just one kiss, kiss will do.
Why
death?
Why life?
Warm hearts?
Cold
darts?
Kiss, kiss, kiss, kiss me, love,
I’m bleeding inside.
So what do you think John?
John: Uh... that's really...
uh.... great honey. Uh...yeah....
Yoko: So we'll put it on the
new album?
John: Sure Yoko. Uh...
sure....
In
other words, either love is not only blind but deaf as well, or perhaps John
just knew who truly wore the pants in the family. However, whatever the case,
what we do know is that John loved Yoko. He saw the brilliant, wonderful and
peace loving woman she was. Perhaps it's time that the rest of the world try to
understand the Yoko Ono that John Lennon saw. Perhaps it's time for all of us
to also turn a deaf ear, and begin to love Yoko too.
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