Shemp was never anybody’s favorite Stooge. I mean, have you ever heard anybody say “Curly is okay, but I sure do like that Shemp?” When was the last time that you actually saw a piece of Three Stooges merchandise with Shemp on it? How many Shemp fans do you know? No, Shemp just never gets any respect. The problem with Shemp is that he just never had much of a chance. Relieving his younger brother Curly Howard of his duties as one of the fabled Three Stooges in 1946; Shemp Howard would always be unfairly compared to Curly, which pretty much doomed him. You see, everybody loved Curly. He is now, and forever, the world’s favorite Stooge. Thus, Shemp following Curly was sort of like a dog act following Andrea Bocelli. Nobody was going to ever like Shemp better. But, unbeknownst to the movie public at the time, long before Curly even walked on a stage, Shemp was slaying audiences with his brother Moe Howard as one of the original Stooges in Ted Healey’s vaudeville act. Heck, Shemp was a Stooge even before Larry Fine was! However, what also often goes overlooked was that Shemp Howard had far bigger aspirations then to just be a Stooge. Shemp wanted more, and unlike the other members of the Three Stooges, Shemp Howard branched out beyond Stoogedom. Yet, due to family devotion, Shemp Howard rejoined the Three Stooges and sacrificed a budding film career and the potential of solo success and, instead, became nothing more then the unpopular fourth Stooge. Yet, while the Three Stooges will always be pop culture legends, Shemp was a little bit more, although his career beyond the Three Stooges has been nearly completely ignored. So who was Shemp Howard? He was a funny man who lived in fear. Fear of what? Well, pretty much everything. Join us as we take a look at Shemp Howard: his life, his phobias, his imposters, and the forgotten legacy he left behind as
CONFESSIONS OF A POP CULTURE ADDICT PROFILES
SHEMP HOWARD:
THE LITTLE STOOGE WHO COULD

Early Shemp Howard head shot
The third of five Howard brothers, Shemp was born Samuel Horwitz in Brooklyn, New York in 1895. His unusual moniker “Shemp” came when his mother couldn’t yell “Sam” in her thick Lithuanian accent, and instead it came out as “Shemp,” so that’s just what everybody called him. Now during his early days Shemp had no ambitions to be in show business. However, that wasn’t true for his younger brother Moe, who wanted nothing more then to enter vaudeville. As a result of his desire, Moe was continuously coming up with new dance hall acts and recruiting Shemp as his partner. Moe was a natural on stage, but Shemp was just along for the ride in an attempt not to let his younger brother down. However, after dropping out of both high school and failing at being a plumber, not to mention a discharge from the army after it was discovered that he was a bed wetter, which saved him from the trenches of WWI, Shemp really had nothing else left to do. As a result, by 1917 Shemp and Moe were working the vaudeville circuit as part of a blackface act but by 1921 the act broke up when Moe joined comedian Ted Healey as part of his roughhouse act. As Ted Healy and his Stooge, Ted and Moe became a popular vaudeville act, and the foundations of The Three Stooges began.

Ted Healy and his Stooges - Larry Fine, Moe Howard, Shemp Howard and Ted Healey
It was in 1922, when Shemp went to one of Ted and Moe’s performances that Moe saw his older brother sitting in the audience and started to yell insults at him from the stage. Shemp, in total sync to his brother’s sense of humor, got out of the audience and jumped on stage and he, Moe and Ted improvised the rest of the act together. The result was a roaring success and after the performance Ted Healey asked Shemp to join the act. At first Shemp was reluctant to join Healey and Moe, especially as a result of the protests of his mother. Jennie Howard was against any of her sons being in show business, and having already lost Moe to vaudeville and with youngest brother Jerome (aka Curly) following in Moe’s footsteps, she didn’t want to lose Shemp to show business as well. She had far bigger aspirations for her boys then to just be Stooges. However, when Ted Healey, who was always a con man, gave a hundred dollars to the synagogue the Howard’s attended, Jennie reluctantly agreed. Thus Shemp became the second Stooge. Three years later, in 1925, a third Stooge, violinist Larry Fine, joined the act and the four were finally christened Ted Healy and his Three Stooges.

Shemp with Larry and Moe in the very first Three Stooges short, "Soup to Nuts"(1930)
Yet life with Ted Healey was not always easy. A con man, drinker, gambler and tyrant, Ted and the Stooges were always in conflict over money and billing. A number of break ups and make ups occurred between 1925 and 1930, with Moe, Larry and Shemp even breaking away from Healey briefly as their own trio called The Three Lost Souls. However, in 1930 Ted Healey patched things up with the Stooges when he got them their first film gig in a short called Soup to Nuts. This lead to Healy and his Stooges becoming part of a Broadway revue called The Passing Show in 1932. However, one night in a drunken rage Healy and the show’s producer J.J. Subert got into a disagreement over money. Healey quit the show immediately, and was taking his Stooges with him. However, finally fed up with Healey’s drunken bullying, Shemp decided that he was going to stay with the show and left the Stooges behind. At Moe’s suggestion, Ted Healey replaced Shemp with youngest Howard brother Curly, who became the breakout star of the trio. Thus, Shemp and the Stooges parted ways. However, Shemp left at a time when doorways of opportunities were opening up for him. Meanwhile, the Stooges would be forced to deal with Healey until the broke away from him for good in 1934.

Shemp left the Stooges and joined up with scandalized silent film comedian Roscoe "Fatty" Arbuckle for a series of shorts in 1933
At the time of his break up with the Stooges, Shemp Howard became associated with Roscoe “Fatty” Arbuckle who had moved away from Hollywood to New York and was attempting to make a comeback after being proven innocent of his much publicized scandalous rape and murder charge. Arbuckle and Shemp, along with actor Lionel Standard, signed up to do six comedy shorts together for New York based Vitaphone studios. As a result of his affiliation with Arbuckle, Shemp Howard became an important player at the Vitaphone studios, and between 1933 and 1937 Shemp appeared in over thirty shorts for the company. His most important accomplishment during this period was taking over the role of Knobby Walsh from Jimmy Durante when Vitaphone acquired the rights to do a series of Joe Palooka films. Shemp appeared as Palooka’s manager in seven films between 1936 and 1937. However, as the Vitaphone process began to grow obsolete into the 1930’s, Shemp decided to try his luck elsewhere and left the studio after his final Joe Palooka film. Shemp decided to join his brothers on the west coast, and so he packed up his wife and son and headed for the bright lights of Hollywood.

Shemp in "The Bank Dick"(1940)
With his brothers riding high on their success as the Three Stooges by this point, Shemp had little problems finding work in Hollywood. His affiliation with The Three Stooges, as well as his quick wit and easy going nature, made him a favorite amongst comedic short directors. Calling himself “the ugliest man in Hollywood” Shemp Howard began to shop himself around with great success. In fact, between 1940 and 1944 Shemp appeared in over forty films! Highlights included playing a wisecracking bartender opposite W. C. Fields in The Bank Dick and alongside Bud Abbot and Lou Costello in Buck Privates, In the Navy, African Screams and Hold That Ghost. In fact, it was reported that Abbot and Costello were constantly having Shemp’s performances trimmed back in fear that he was outshining them on the screen.

Shemp with Lou Costello in "Africa Screams"(1949)
Yet Shemp wasn’t just restricted to appearing in comedies. He offered comedy relief in a number of crime dramas, including Murder Over New York featuring Sidney Troler as Charlie Chan and Another Thin Man with William Powell and Myrna Loy. Shemp also appeared in a pair of Universal horror films; The Invisible Woman and The Strange Case of Doctor Rx; and even ended up in such unlikely films as John Wayne’s Pittsburg playing a tailor and The Arabian Nights featuring Sabu where he actually had the chance to play Sinbad! But there were some odder moment’s in his Hollywood career. In 1941 director Charles Lamont thought that Shemp should be best utilized as part of a comedy duo in the fashion of Abbot and Costello. His straight man was cast as horror legend Lon Chaney Jr! The duo didn’t mesh as well as Lamont had hoped, and only appeared in one film together. Furthermore, in an attempt to cash in on the success of the Three Stooges, Shemp was featured in one short, titled Knife of the Party, with his own set of stooges. Once again, the idea didn’t take, and Shemp’s stooges never appeared again.

Shemp took the moniker "Hollywood's Ugliest Man"
Living comfortably in North Hollywood, Shemp Howard had set himself up with a happy life. However, Shemp lived in fear. Despite his good nature, Shemp was a nervous and uneasy individual with a number of unrealistic phobias. Shemp had a fear of heights, cars, airplanes, water and dogs and other large animals. This would often affect his career. Shemp never got his driver license and would only travel by train. When going for a walk in his neighborhood he would carry a stick with him just in case he ran into a dog, despite the fact that he actually had a dog at home, and in films which featured animals, such as a lion in African Screams, directors couldn’t even get Shemp on the set. Yet, as a result of his popularity with directors and producers, they would always find a way to accommodate Shemp and his many phobias.

The Howard Brothers - Curly, Shemp and Moe
It was in 1944 when Columbia Studios, which produced The Three Stooges popular shorts, came knocking on Shemp’s door and offered him his own series of shorts. It seemed that Shemp had finally hit the big time. However, tragedy struck the Three Stooges camp when Curly suffered a stroke on the set of Half-Wits Holiday in 1946. Although it didn’t kill him, Curly was no longer able to work. Moe turned to Shemp for help and asked him to rejoin the trio until Curly was able to rejoin the team. With his solo career finally taking off, Shemp was reluctant to rejoin the Stooges, but he also knew that if he didn’t Moe and Larry would be out of work. For the love of his brothers, Shemp gave up his solo career and became a Stooge once more under the conditions that it was only temporary. Unfortunately Curly never recovered enough to rejoin the team and died in 1952. Thus, Shemp became the new permanent Stooge for the next 73 shorts. It was one step back on his way to solo success, but obviously one step forward in securing his footing in pop culture history.

When Curly suffered a stroke in 1946, Shemp rejoined the Stooges on a temporary basis until Curly could rejoin. Unfortunatly for Shemp's budding solo career, Curly never came back
Unfortunatly, as part of the Three Stooges Shemp never really was able to find his individual voice. In the previous line up Moe was the leader and the meanest of the group, Larry was the quiet one and Curly was the zany missing link. Yet Shemp’s comedic style wasn’t like the other Stooges. Shemp was a far more subtle comedian, relying on word play, mugging and ad libs. Fast and ferocious slapstick wasn’t his calling. Thus, while the other Stooges maintained their individual personalities, Shemp just didn’t adopt a distinct personality to go along with the other Stooges. Furthermore, Curly’s energy was sadly missing from the team, and audiences began to notice. Although they were still going to see Three Stooges shorts, everybody missed Curly, and scorn was expressed towards Shemp as being the guy who replaced him. The audience just never really accepted Shemp.
After Curly’s death, now being so connected to the Stooges, Shemp realized that solo success was most likely impossible and settled in comfortably in his new life as a Stooge and lasted with Moe and Larry for nine years. However, in November 1955 Shemp Howard suffered a massive heart attack during his way home from a boxing match. He was pronounced dead upon his arrival at the hospital. His sudden death came as a shock to his family and friends, and suddenly Moe and Larry were, once again, without a third partner. Shemp was laid to rest next to Curly at the Home of Peace Cemetery in East Los Angeles.

"Shemping" Shemp - Stand in Joe "Fake Shemp" Palma with Moe and Larry in "Rumpus in the Harem" (1946)
Yet Shemp’s story was far from done, and despite the fact that he was dead, his career in pictures wasn’t quite over yet. In 1955 the Stooges were under contract to film eight shorts, but at the time of Shemp’s death only four had been completed. As far as Columbia was concerned, death was not an excuse. Thus, by using recycled footage of old Stooges shorts featuring Shemp, four brand new films were written and produced. For refilmed connecting scenes, Moe recruited actor Joe Palma to fill in for Shemp, who was usually filmed from the back in his scenes. Thus, four brand new shorts were released featuring Shemp Howard, but completely written, produced and filmed after his death. The use of Joe Palma as the “fake Shemp” was termed “Shemping” and has become a part of the filmmaker’s lexicon to this day to describe the use of replacement actors as body doubles on the screen when the actor they are portraying is otherwise not there. When the Stooges renewed their contract with Columbia a year later, Shemp’s good friend Joe Besser, whom he met during his days with Abbot and Costello, joined the team as the fifth Stooge. When Besser joined the Stooges, Shemp was finally able to rest in peace.
While he may not ever be remembered as the most popular of the Three Stooges, there is no denying that while he lived Shemp Howard worked just as hard, and in his own way, was just as prolific. While Larry, Moe and Curly may have had the successful Three Stooges franchise securing their place in pop culture history, Shemp Howard worked continuously from 1932 to his death in 1952. In his career he made 166 films. Only 74 of those films were with the Stooges (one with Ted Healey and 73 after Curly’s illness). That means, on his own, Shemp Howard made an additional 92 films. While the Stooges needed each other, Shemp was able to make it on his own. So whether he is the most unpopular Stooge or not, there is no denying that Shemp Howard was the little Stooge who could.
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Actually, Shemp always was my favorite Stooge! They were all wonderful, but Shemp resonated with me. But hey I play trombone for a living too. Great article!
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I loved this article! It’s about time some respect be paid to Shemp. I always liked him, and I think his Stooges shorts between 1947 and 1951, in particular, have a pretty high batting average. In fact, I think his late 40s shorts, especially, are better than Curly’s 1945-1946 output. At that time, Curly was ailing. “Fright Night,” the first Shemp Stooges short, had originally been intended for Curly; because of Curly’s poor health and lack of energy at that time, I don’t think he would have turned in as strong a performance as his older brother did in it.
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Pingback from Hold That Ghost « Movie Mania on July 9, 2010 at 6:43 am
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Maybe you never realize who’s a real a worst Stooge they ever have. When Shemp substituted Curly in 1946, Shemp never fully able but he still tried to maintain the team. In 73 his shorts, never he rejects Moe slapstick mayhem and dared to hit Moe back like Joe (Besser). So, Shemp made himself in his own style stooge as stupid and dimwit not like Curly childish style or Larry goofy style. That’s style which made he funny and have legacy as one of the greatest stooge in their history ( absolutely Curly is no.1 )
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Good Article ! Thanks for giving Shemp the attention he deserves ! The older brother to Moe and Curly, can you imagine taking orders (while acting) from one of your younger brothers ? Shemp did, and made it look easy. I didn’t appreciate Shemp when I was younger, but when I grew into his age-range, only then did I notice the hard work and dedication he had to his craft. Thank you Shemp Tweedle !
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Sometimes a decent story as this one was, is a bit misleading, intentional or not. I say this, trying my best not to come across as disrespectful, yet to
let all know that what you’ve read about my favorite “Stooge” can all be found with minimal searching on the internet. Yes, it was put together well, but man, it could have been so much better.
First off, to state that Shemp was never really accepted as a “Stooge” is not at all true. At the time of his joining Moe and Larry, it was well known and explained to all concerned that the possibility of Curly never being able to return was quite high, but that only time would tell. What bothered
Shemp was the fact that he was once the “heavy”, and now Moe was in this position. It didn’t bother him very much, but it did remain a mild ache throughout his tenure as a member of the trio. There were a few times in which the “Three” had talked about maybe making some changes that would diminish the “Lead” role that Moe played, and in doing so, relinquish
this air to Shemp, but after only about half a dozen shorts, Shemp realized that the role he had assumed was both endearing to the majority of the fans and not in any way upsetting to anyone else. He actually brought a bit of much needed life {and some additional charm} to the act, as with Curly’s diminishing abilities in his last few shorts had caused repeat viewers
attendance to drop off considerably.In essence, Shemp saved the Stooges
from a fate worse than obscurity. Moe and Larry were well aware of what Shemp had done simply by re-joining them, no matter what others may want to think or believe.
I could go on for quite a long time, but I won’t. What I will say, however, is that when anyone writes an incomplete story about The Three Stooges
and doesn’t put 100% into it, you will hear from me or my kind. These fellows were giants in the entertainment world, then and now. They saved
Columbia Pictures from sure failure and were treated like lepers in a sense.
To this day, it angers me that they didn’t even receive a star on the Hollywood Walk of Fame until well after they had passed on. Each one of the Howard Brothers ad Larry Fine deserve one each, but the First one should go to Shemp. Smaug, out. -
Good read, but Shemp was in 77 “regular” Columbia shorts (as well as the asstastic Gold Raiders and “movies” such as Laff Hour–the latter was just a compilation of Columbia shorts from throughout the 1932-1956 Columbia short subject library so the theatre owners could mix and match to build their own libraries.) Also, Shemp was right on time for the TV era, so there were plenty of appearances there. He was a replacement (fill-in?) for Curly in the early 1940s.
As to no-one saying that Shemp was their favorite Stooge, I’m going to have to disagree with Cotton Hill (King of the Hill) who claimed that anything bad was just like “getting a Shemp.” He’s definitely my favorite Third Stooge (Larry holds the title of overall favorite Stooge for me!), and it’s too bad that he had the misfortune to come in before their move to Columbia, and after (or during) Curly’s tenure.
I’m not sure that Moe had anything to do with hiring Joe Palma to do his “Shemping,” because hell, Shemp had just died roughly 2 months earlier, and he wasn’t all that keen on even continuing with the Stooges. He also didn’t have anything to do with hiring Joe Besser, despite what everyone seems to think–he was hired by Jules White who needed to match footage from the Curly era, as well as thinking “he was a cute little fat man to look at.”
Last but not least, I know that Joe DeRita is (along with Joe Besser) considered the worst of the bunch, but before everyone grumbles, Larry was the catalyst for hiring DeRita, and Moe enthusiastically agreed–even wanting him (DeRita) to join the Stooges BEFORE White signed Besser. Watching DeRita’s solo Columbia shorts (as well as his burlesque background), makes you wonder how he would’ve turned out if he could’ve kept his sharper, less kid-friendly style.
To finish, Shemp was the best of the four 3rd Stooges (to me), case closed.
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Thanks for giving Shemp his due, but there are several factual inaccuracies in your piece.
Shemp’s death was not truly “sudden” in 1955 – he had suffered a stroke as far back as 1952 and was ill from then. And he died of a cerebral hemorrage, NOT a heart attack. Later, in your piece, you mistakenly refer to his death in 1952.
The most egregious error is Shemp’s final resting place. Though he and Curly are buried in the same cemetery, Shemp was NOT laid to rest “next” to Curly. In fact, Shemp is interred at the cemetery’s mausoleum all the way at the cemetery’s other side. I know – I’ve been there.
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Great Article on Shemp.
He has become my favorite Stooge.As a child in the 60′s we would run home from school to watch the three stooges. I was always so mad when a Shemp short came on and not Curly. What child could not love Curly and I did.
I did not watch the stooges for many years until I decided it was time for my children to get some proper americana culture. So I exposed them to the stooges.As an adult I grew to love Shemp and he became my favorite stooge.
He is indeed buried in the same cemetary a Curly but is in the inside in the wall.
I have a video of myself apologizing to Shemp at his grave for the disrespect I showed him as a child.( LOL) -
From just reading Dennis and Paul correcting mistakes in comments just goes to show how important Shemp as a stooge really is. It is a sincere way to pay homage to Shemp by making sure the facts are straight!
Watch anyone else such as Laurel and Hardy, Abbott and Costello, the Marx Brothers, all of whom are great in their own style, you will see just how quick the timing and the pace of the stooges was.
It had to be exhausting for them during all the years they filmed their shorts.
History channel had their Biography segment of the Stooges some years back but it fell short of telling all what needs to be told. I only saw the last 10 minutes or so of the made for TV movie about the Stooges and that is all I needed to see to know I didn’t care for it.
It would be nice if a someone could produce something better on their lives and career.
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Bud Abbot once said that Shemp was the funniest man in Hollywood and I agree.
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In my opinion, there was Curly, and there was everyone else. Shemp was funny in his own right and I enjoyed him in his solo career but he didn’t fit in as well with Moe and Larry as Curly did, and neither did Joe Besser. I’m not even going to mention that other guy.
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Nice article! Shemp is underrated in my opinion as well. When people compared him to Curly who was more of an innovator they would criticize but I think he was great especially in his earlier shorts.
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I always liked Shemp, in fact just as much as Curly. When Shemp rejoined the Stooges he was out of work as his studio contracts as a character actor where all up. Shemp new that Moe and Larry where finshed in show business with out the Stooges, so he rejoined on a tempory basis until Curly could come back. Curly never became well enough to return.
Sinful as it may have been, Lou Costello was terribly jealous of Shemp’s natural comic abilities and cut many of his scenes from the Abbot and Costello movies.
Just when the titles come on for the Three Stooges, Shemp’s ridiculous smile makes us laugh immediately.
It is no wonder that the Stooges with Shemp won many Ehibitors “Laurel Awards” for the best two reel shorts. -
PS: Shemp invented the eye poke!!!!
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Shemp has a growing following, he’s being rediscovered, I love Curly but some of the Shemp/stooge films are total classics, ‘Brideless Groom’ is actually my favorite stooge short of all time … “hold hands you love birds.”
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The first Stooge shorts that I watched as a child were ones with Curly in them but from the second I watched my first short with Shemp, he became my favorite. After this moment, I always preferred to watch shorts with Shemp. His natural ability and comic nature are uncanny and watching his antics never fail to crack me up.
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Know matter what is said about THE THREE STOOGES like all groups music or comedy the original people are the reason we liked them in the first place any ones else are just there reason to keep there greatness ALIVE, thanks boys your comedy makes this insane world more tolerable.GMK
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Like most kids growing up I loved Curly, he had the zany genius that did and always will appeal to kids. When I saw my first stooges shorts with Shemp, admittedly it took a little while to get into what he was doing but not long. His approach was more adult oriented and subtle but it wasn’t long till I was laughing just as hard at him as I did with Curly. The guy sacrificed a pretty good solo career to help out his brother Moe and good friend Larry and in my opinion has become a legend because of it. In closing I just want to mention an interview I read that Moe did just a short time before he passed away. He covered all aspects of himself and the rest of the guys and their careers as a whole but the one thing he said that really stuck in my mind was that “Shemp was considered by ALL of us, Curly included, as well as all the supporting actors and film crew, as being THE most naturally funniest out of all of us, he was such an incredibly natural comedian”. I think that speaks volumes about Shemp and I think the genre of American comedy lost a shining light way, WAY to soon.
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Curly and Shemp were my favorite stooges. When Shemp got hurt from being slapped by Moe, or by burning himself with the iron, I actually felt his pain and felt sorry for him. Curly was too much like a cartoon character, (kind of like Wiley Coyote) so I never really thought that he felt any pain. Moe was too mean to feel sympathy for, and Larry didn’t seem to be too convincing. Because Shemp caused me to feel sorry for him when I watched him as a child, attests to the fact that he is the most accomplished actor of the group.
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Sam, this was an excellent article. I really enjoyed reading it. Your research on Shemp is great and your observations are spot on. Unfortunately for this very talented comedian, he was the guy who replaced Babe Ruth for the Yankees or the girlfriend you date after having an affair with Marilyn Monroe. No one, but no one, could ever replace a brilliant comedic genius like Curly Howard. It was just too tall an order. But Shemp’s stooge shorts, many of them, are very funny. Larry takes on a much bigger role and I have always found Moe funnier in the Shemp shorts than the Curly ones. Nice job, Sam.
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Sony and Warner Bros both have got to do something newly digitally restored and remastered the Shemp Howard series just in time awaiting of the Farrelly Brothers adapation of The Three Stooges with Moe, Larry and Curly till 2012 and let’s time for you to start campaigin for this knucklehead right now.
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I’m with you on this one, It’s the only way to keep The Three Stooges alive as for everyone who loves those loveable knucklehead comedy trio would be nice to include solo shorts from Shemp Howard, Joe Besser and Joe DeRita ready to be carefully restored and remastered nicely on DVD and Blu Ray for the long awaiting The Three Stooges Collection Vol.9 it would also include all of the original Three Stooges movies prior to their popular two reeler series at the time, as well as a really nice documentary about the Stooge features and as well as the other about Shemp, Joe and Curly-Joe’s solo years, trailers, commentaries on all of them, and many, many, many, many more can’t hardly wait to see them and it will add to your Three Stooges DVD collection.
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Shemp was a great man. Even though sometimes I miss Curly, Shemp never fails to make me laugh. I’ll never forget how hard I laughed when I saw Fright Night for the very first time. Moe turned to him and asked,”What does your watch say?” Shemp replied,” Tick tick tick tick tick tick!” I laughed so hard I nearly wet myself, and it felt like all of my ribs were broken!! Shemp, like Curly, was a comic genious. He never tried to replace Curly. If he did he would have been doing Curly’s woo woo woo or why sointenly. Instead, he brought his own style of comedy to the team. And the shorts with Shemp are some of the best and most hilarious!!!! Now, I’m not being disloyal to Curly in any way. You know, today is Nov.22, the day he died. I’m honoring his memory now as I type this, and during Thanksgiving break, I’m going to watch all of my favorite Shemp shorts!! Shemp was a great comedian. I love his wisecracks at Moe, I never get tired of his heep heep noise. And I’ve even seen a few Abbot and Costello movies with him in them, and the best scenes are with him! Another thing I love about Shemp, is that he was always booming with energy. He was like a firework, who let his colors burst. I have so many favorite moments with Shemp. I paln on becoming a famous comedian like Shemp, and the other boys. Thats how much they’ve inspired me! I love them all dearly. And I treasure my favorite moments and scenes with Shemp. And it’s kind of sad, that Curly fans put Shemp down. I love Curly very much, but it isnt fair because Curly and Shemp were both geninues. I’ll close now by saying, R.I.P Shemp, I will never forget you.
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Very nice article. Just a couple of thoughts:
Curly, being the most childlike, made the stooges accessible to a younger audience. The Stooges are all listed at being 5’5″ (depending on the web site) or so, but they’re all significantly shorter than other people on screen, and were frequently shorter than the women in their shows (a rarity for actors to allow this.) One of the reasons they were so popular was, like Curious George, they were, in effect, children who were dealing with an adult world they didn’t really understand.
They’d try to do things, it wouldn’t work out, and they’d get in trouble.
There were some structural problems with Shemp as a character. The first was that he looked a lot like Moe. With Curly, each of the Stooges was distinctive, even to five year olds. The Shemp version of the Stooges also had to deal with audience expectations. Larry was out in left field. Moe was the boss. Curly was the zany, child who always got in the predicament. Shemp was more of a wise guy, but the scripts weren’t meant for a wise guy. They were meant for Curly.
Shemp had the additional burden of replacing the most popular Stooge. It was kind of like Roger Maris following Babe Ruth. There was no appeasing the fans who wanted Curly, and Shemp didn’t shove Curly out. When Curly was no longer able to perform, Shemp stepped in and did his best. -
A fellow alumnus of the University of Massachusetts at Amherst told me about “the Shemp Riots of 1972,” provoked when a Shemp Stooges short led off a film program at the Campus Center advertised as “all-Curly”! Chairs became airborne and the campus police faced one angry mob! Only shows the Shemp/Curly dichotomy at its worst! That anecdote aside, I love Shemp, both solo (my favorite bartender, thank you Mr. Fields!) and with the Stooges, up to and including CUCKOO ON A CHOO-CHOO!
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After getting a chance to watch the Stooges shorts in chronological order, it’s painful to watch Curly’s decline and sad to see him walk off the set for the last time as a Stooge. But Shemp’s arrival is a breath of fresh air. Moe & Larry almost look relieved to be working with a third member who’s pulling his own weight. I imagine that the directors thought so, too. As a kid, I missed Curly; as an adult, I appreciate Shemp’s work very much — he worked a hell of a lot harder than most people will ever give him credit for.
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He was my favorite …. here’s my npr piece about shemp
http://www.npr.org/blogs/monkeysee/2012/04/14/150595589/the-fourth-stooge-memories-of-uncle-shemp
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He was my favorite …. here’s my npr piece about shemp
http://www.npr.org/blogs/monkeysee/2012/04/14/150595589/the-fourth-stooge-memories-of-uncle-shemp
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Curley was the making of the group; Shemp was just as good although he had a totally different style. I like it that he tries not to follow in Curley’s shadow. Cuckoo on a Choo Choo was one of my favorite episodes starring Shemp along with The Ghost Talks. All those who played the Three Stooges are in Heaven smiling down on us.
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While I’m glad that Sony had finally released the solo Columbia Shemp Howard shorts in a 3 disc set titled “The Three Stooges – Rare Treasures from the Columbia Vault”, along with the solo Joe Besser and Joe DeRita shorts, and the Stooges starring feature film, Rockin’ In The Rockies. There is one huge catch though. At the moment it is only available as part of a 20 disc box set that collects the individual “Three Stooges Collection” volumes. I bought all the individual volumes when they were released, as I’m sure most Three Stooges fans have. But I want those Shemp Howard shorts on DVD. So, are we to be punished for being loyal customers? Will Sony release “The Three Stooges – Rare Treasures from the Columbia Vault” individually for those of us who already own the individual volumes, and do not want to rebuy them in a box set?
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Yes I came across this site looking for Shemp Bitmaps for an Access project for my advanced Access class.
I only have a couple of things to state, THE ONLY REALLY GOOD AND TRUE STOOGE WAS “SAMUEL MICHAEL HORWITZ”, the rest of the Five Stooges were just so-so.
Plus also noticed that here on this site whoever made it made a GIGANTIC MISTAKE: “SOUP TO NUTS” a 1930 20th Century-Fox Production with Ted Healy, Moe Howard, Shemp Howard, and Larry Fine, WAS NOT A SHORT SUBECT but A FULL LENGTH FEATURE.
Moron4392
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SHEMP WAS A COMIC GENIUS BUT TO DISMISS MOE LARRY AND CURLY SERVES NO PURPOSE LARRY WAS THE LINK BETWEEN MOE AND CURLY OR MOE AND SHEMP BUT I WILL NOT MENTION JOE B OR JOE D WHO DID NOT FIT IN WITH THE STOOGES I ALSO FEEL THAT THE THREE STOOGES CRAMPED SHEMP’S STYLE
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I would like to add a different perspective to this conversation. I, too, became an instant Three Stooges fan at an early age. By the time I first saw them, both Curly & Shemp had died. But at the age of five, they were all alive & well on tv as well as on the great summertime babysitter, our neighborhood theater which ran whole afternoon kiddie matinees ranging from The Lone Ranger to Frankenstein & all manner of shorts (talkies & silents), cartoons, you name it.
For me, well, there was no pecking order of Stooge favorites. Three Stooges, that was it. It never puzzled me that one day I’d see Curly, the next Shemp. Each one had his particular zany quirks which for me seemed quite natural & true. And each one put his special mark onto the shenanigans they got themselves into and miraculously out of. I loved Larry’s sweetness & quick thinking escape moves; Curly’s hilarious physical bells & whistles, his vocal repertoire; Shemp’s willingness to go along with anything & yet be his gentle self all the while whatever the predicament; Moe’s constant impossible ambition & king of the pack delusion that regularly got them into trouble.
Despite the slapping, eye-poking, frying pan whacks, etc., he got his back plenty. And that was always funny. Most of all, whoever the three, I saw them as a team, as brothers who underneath it all loved each other, had each others’ backs as they made their klutzy way through a mean, deceitful, world of cheats and came out if not on top, at least ready for another escapade unscathed.
Rather than a favorite Stooge, I have a delicious list of favorite gigs. “Niagra Falls!…Slowly I turned. Step by step.” “Mahjah! Ah-ha!” Three snores in one bed. “Do what I do”, with the bee in the glamour girl’s dress. Elaine. Too many shtick gigs that had us rolling on the floor in front of the tv to count. And mostly, a certain lack of maliciousness that continues to make them genuinely endearing. So welcome in this era of nasty, cruel, even vicious excuses for comedy. But, then, they really did love one another. It shows. Thanks, guys. -
This artical is really nice, Every Stooge is my favorite, they have there own characteristics that make them funny and are all related in a way.
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I guess I’m in the other minority, the one that liked Moe the best. Granted Shemp, or Larry for that matter, were better actors. But — spread out — Moe is the centerpiece, the no-nonsense, take-charge guy that sets the whole shebang in motion. You knew there was a soft-spot in Moe too. He’d do anything for his brothers — if they didn’t let him down so much, as they were bound to do. Maybe all that violence was really just his frustration at seeing that things were never going to work out like he hoped and planned, never going to meet his exacting specifications. Moe is at heart a disappointed perfectionist. When Moe acts stupid you don’t really believe it. Maybe he just wants to give up.
Curly is described by those who knew him as introverted and kind of spacey, the shy quiet kid that woops and whimpers and cries for attention. He didn’t do so well in school they say, so carried about with him in adulthood the cross of having at his disposal less education than fit his intelligence. (This in a generation that prized education — as his parents by all accounts did). It always seemed to me that Shemp was not just physically distinct from Curly — [Curly the impish, sweet faced, bouncing balding, chubby baby; Shemp the world-weary elder brother, his harrowed face deep-seamed, his shoulders slumped, his black harir stringy and sweaty — but emotionally more together, more complicated, perhaps more complete. Shemp looked like he had been around the block a few times. Compared to Curly, he’s the bigger kid. We chuckle at and indulge the baby; we shake our finger at and admonish the older kid. One’s stupid because he doesn’t know any better; the other acts stupid because it may be the best way to get by.
By the way, I happen to have had the good fortune to have seen the Three Stooges — the Moe, Larry and Curly-Joe version — do their act in person. This was -ahem – years ago at the Oritani Theater in Hackensack when they were making a whirlwind series of stops around the area promoting the film “The Three Stooges In Orbit,” which they had just finished shooting. I was a teenager and took my kid sister and some friends. We got there early, waited on line, and sat in the very first row of the packed movie house where “Snow White And The Three Stooges” played until, in the middle of the picture, the lights went on and the manager announced that the stooges had arrived. The excited, delighted, raucous, tumultuous greeting by wall to wall kids was a bit like Beatlemania would be a few years later. Suddenly, there they were — ageless Moe in the middle, completely in-charge — wearing the same bags under his eyes that he had in 1934 — Larry, sweetly grinning and animated, waving to the crowd. I recall that Larry’s complexion was ruddier and redder than it showed in technicolor or, obviously, in the black-and-white shorts. Curly-Joe acted dumb on cue, eliciting Moe’s growls and slaps and pokes and shoves and nose-pulls. Obviously, these weren’t accompanied by sound effects as in the films, apart from some banging and popping against the mikes. The stooges were small men in their early sixties, but they worked smoothly in unison with the timing and grace of dancers. They took astonishing falls, flat down backwards on the stage — you could hear the wooden floor thump and shake — only to bounce right back up and then do it again. They knew how to fall “soft” and make it look “hard” and “painful.” At one point some children behind us were screaming for Larry and he came up to the apron of the stage, knelt down, put his finger to his lips and went “Shsss.” He winked at my sister and me, said Hi, and asked how we were doing. I’ll always think of him as a nice, gentle man and am grateful that I had the opportunity to experience him and his mates close up and in the flesh.
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I actually do waver between liking Shemp more than Curly. He may well be the most underrated comic of his generation. There were some serious deficiencies in editing, writing, directing, and other cinematic skills, on many of the Columbia shorts, of course. But anything with Shemp in it is worth watching just to see what in hell he’s going to do next. Marvelous improviser. Also, quite a decent physical comedian well into his fifties.
Thanks for writing this. A good read.
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Curly and Shemp = Apples & Oranges.
Both were entirely different comedians, and both brilliant at their own particular brand of comedic genius. I prefer Shemp personally, but highly respect Curly’s art.
To me, Shemp epitomized the postwar “Sad Sack” better than any other actor. Forlorn, dissolute and clueless.
Long live Samuel Horowitz!
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Thank you for this article. Shemp will always be my favorite stooge!
For the second three stooges movie, I think they should do something with trying to find the “lost stooge” Shemp Howard. Just a thought.



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